The property consists of eight buildings in the United States designed by the architect during the first half of the 20th century. These are: Unity Temple, Frederick C. Robie House, Taliesin, Hollyhock House, Taliesin West, Fallingwater (Mill Run, Pennsylvania), the Herbert and Katherine Jacobs House (Madison, Wisconsin) and the Guggenheim Museum (New York).
These buildings reflect the “organic architecture” developed by Wright, which includes an open plan, a blurring of the boundaries between exterior and interior and the unprecedented use of materials such as steel and concrete. Each of these buildings offers innovative solutions to the needs for housing, worship, work or leisure. Wright’s work from this period had a strong impact on the development of modern architecture in Europe.
The site encompasses a group of five frontier mission complexes situated along a stretch of the San Antonio River basin in southern Texas, as well as a ranch located 37 kilometres to the south. It includes architectural and archaeological structures, farmlands, residencies, churches and granaries, as well as water distribution systems. The complexes were built by Franciscan missionaries in the 18th century and illustrate the Spanish Crown’s efforts to colonize, evangelize and defend the northern frontier of New Spain.
Monumental Earthworks of Poverty Point owes its name to a 19th-century plantation close to the site, which is in the Lower Mississippi Valley on a slightly elevated and narrow landform. The complex comprises five mounds, six concentric semi-elliptical ridges separated by shallow depressions and a central plaza. It was created and used for residential and ceremonial purposes by a society of hunter fisher-gatherers between 3700 and 3100 BP. It is a remarkable achievement in earthen construction in North America that was unsurpassed for at least 2,000 years.
A vast and isolated linear cluster of small, low lying islands and atolls, with their surrounding ocean, roughly 250 km to the northwest of the main Hawaiian Archipelago and extending over some 1931 km. The area has deep cosmological and traditional significance for living Native Hawaiian culture, as an ancestral environment, as an embodiment of the Hawaiian concept of kinship between people and the natural world, and as the place where it is believed that life originates and to where the spirits return after death. On two of the islands, Nihoa and Makumanamana, there are archaeological remains relating to pre-European settlement and use. Much of the monument is made up of pelagic and deepwater habitats, with notable features such as seamounts and submerged banks, extensive coral reefs and lagoons. It is one of the largest marine protected areas (MPAs) in the world.
This karst landscape in the state of New Mexico comprises over 80 recognized caves. They are outstanding not only for their size but also for the profusion, diversity and beauty of their mineral formations. Lechuguilla Cave stands out from the others, providing an underground laboratory where geological and biological processes can be studied in a pristine setting.
Situated in the valley of a small tributary of the Rio Grande, this adobe settlement – consisting of dwellings and ceremonial buildings – represents the culture of the Pueblo Indians of Arizona and New Mexico.
Thomas Jefferson (1743–1826), author of the American Declaration of Independence and third president of the United States, was also a talented architect of neoclassical buildings. He designed Monticello (1769–1809), his plantation home, and his ideal ‘academical village’ (1817–26), which is still the heart of the University of Virginia. Jefferson’s use of an architectural vocabulary based upon classical antiquity symbolizes both the aspirations of the new American republic as the inheritor of European tradition and the cultural experimentation that could be expected as the country matured.